Ranieri chooses not to consider these as errors, but as material still in motion.
In these surfaces, imperfection is not a side effect, but the starting point of the project. Discontinuities, visual variations and structural irregularities become declared compositional elements.
For Ranieri, recycling is not a formal response to sustainability, but a cultural choice that accepts loss of control as part of the material language.
Recycled lava does not seek homogeneity or imitation. It speaks of continuity through transformation, where each surface visibly carries its origin.
